Scooter and Riley Lesson 12

Using the previous color variations (see previous post), I spent several hours working around the dog’s bodies and faces to develop their shapes. I used the existing puddles on my palette, with lots of water added, and a number 10 round brush to begin to develop small, fine strokes here and there to represent hair.

Don’t fall into the temptation to paint every hair!!! Only paint a few strokes here and there to indicate where some of the hair may show. Be sure when applying these brush strokes to turn your paper so that you can carefully control the direction and curve of the strokes. Especially on animals with long fur, the areas of hair may curve and twirl. You may want to practice these loose, light brush strokes on a scrap paper to get the feel before trying this on your important painting.

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